![]() It's a nothing part, but Nicholson turns it into a virtuouso character in just a handful of scenes. Of particular note is Julianne Nicholson, as the wife of Edgerton's character, a woman who tries to avoid becoming complicit in the evil her husband invites into her home. From Joel Edgerton as the FBI agent who forms an "alliance" with Bulger that winds both men in its tendrils to Benedict Cumberbatch as Bulger's political bigwig brother, the film is filled with fascinating character sketches that could have supported their own movies. (Watch the way his eyes seem to deaden a little more with every scene.) His performance actually makes the movie seem better than it is much of the time.Įverybody else in this movie is doing great work, too - and there are a lot of actors you will recognize in this movie. This character has plenty of those - including a makeup job that makes him look a bit like Lord Voldemort - but Depp breaks through that surface to find a kind of dark, rich soul. There's nothing wrong with that, necessarily, but it means he can sometimes feel lost without a series of performative tricks and tics. Depp has always been a surface-level technician when it comes to acting. This begins with Depp, who feels as engaged by the role of Bulger as anything in the last 10 years. Literally every performer in this movie is steadfastly committed to selling the story they're in, even when they have nothing to do. Movies taking aim at the Oscars are often the best chance actors have to sink their teeth into weighty material, so even if nothing is quite working, they'll keep pushing. This is the surest sign of Obviously Failed Oscarbait. Julianne Nicholson turns in a terrific performance in a tiny, nothing part. The actors are really giving it their all - even when there's no "all" to give Here are some of the key signs of the sickness. After all, there are multiple cases of Obviously Failed Oscarbait diagnosed every year. And when you look at other movies with obvious aspirations to a full bushel of Academy Awards, you can be better forewarned. You'll likely find a few things to enjoy, then write off the rest of it. The prescription is simple: Wait out the movie. In other words, you, too, might find yourself watching Obviously Failed Oscarbait. But you'll also notice just how unriveted you are, just how little you can bring yourself to care about what's happening up on screen. The performances are all good, and the dialogue has a muted grandeur. It's all handsomely mounted and strikingly shot.
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